摘要
新华影业公司出品于1937年的《青年进行曲》再次证明,作为国防电影升级换代的母本,左翼电影与1949年后新中国电影的思想品质和艺术表现形式,存在着诸多的内在逻辑关联,拥有相同基因谱系并且形成事实上的隔代遗传。在三者血缘相接的历史发展过程中,阶级性不仅决定着新中国电影中人物的正反面形象,还使得"大脸"成为女性正面人物的主流脸型,"狐狸脸"则沦为有钱阶级-资产阶级女性人物的标准配置。
March of Youth, a film produced by Xinhua Film Company in 1937, was the pioneer of Chinese national defense films. It explains that left-wing films had many inherent logical associations with the New China films after 1949 in terms of ideological nature and artistic expression. With regard to the development of left-wing film, national defense film and New China film, the class nature not only decided the positive and negative images in New China films, but also turned "a big face" as the mainstream feature for positive female images while "a fox like face" was designated as the standard feature for rich or bourgeois class female images.
出处
《杭州师范大学学报(社会科学版)》
CSSCI
北大核心
2011年第4期116-121,共6页
Journal of Hangzhou Normal University(Humanities and Social Sciences)
关键词
国防电影
左翼电影
新市民电影
新中国电影
阶级
血缘
national defense film
left-wing film
new citizen film, New China film
class
association