摘要
蒙古族民间多声部音乐中的和音技法,是指两个或两个以上音纵向的、音高变化的同时的结合。其与和声学以及蒙古族民间多声部音乐的持续音技法有区别。蒙古族民间多声部音乐中,多个和音纵向同时结合的技法,超越了单旋律的音乐思维,初步具有了多声部音乐的立体思维,音乐表现方式更加丰富。蒙古族民间多声部音乐中的和音技法,音与音之间具有多种度数的结合关系,形成了和音结合中相对丰富的度数结合关系。
The chord techniques in Mongolian folk multi-voice music,is the sound of two or more vertical,while the combination of pitch change.Mongolian folk and acoustic as well as with multi-voice music continued to sound techniques are different.Mongolian folk music in multiple voices,multiple and sound techniques,combined with the vertical,beyond the single melody of musical thinking,initially with a three-dimensional multi-voice music,thinking,music is way richer.Mongolian folk music of many voices,and sound techniques,sound and tone between the various degrees of union with the form and sound combined with the relative wealth of the degree of relationship.
出处
《内蒙古大学艺术学院学报》
2011年第2期36-41,共6页
Journal of Art College of Inner Mongolia University
关键词
蒙古族
民间音乐
多声部音乐
和音技法
Mongolian
folk music
polyphonic music
and sound techniques