再现与升华的体现——柴可夫斯基改编曲《D大调小步舞曲》(K.355)配器分析

Embodiment of Reproduction and Sublimation——Analysis of the(K.355)adapter of transcriptions of Tchaikovsky's "D Major Minuet"

钢琴曲的乐队改编包含多种可能性,其中最重要的是编曲者对原作的把握和提升,编曲者可以是原样的改编,也可以是植入自我思维的编创。柴可夫斯基对莫扎特小步舞曲的改编,可以说是将清晰、流畅的古典音乐浓化为"用音乐来讲述娓娓动听的故事"的柴氏语言之作。

The band transcription of piano music contains a variety of adaptation possibilities among which the most important is the composer＇s grasp and improvement of the original and it can also be the creation of the arranger himself.it can be implanted in the innovations of self-thinking.Tchaikovsky＇s adaptation of Mozart minuet can be said to be clear,thick fluid style into classical music ＂sounds appealing to use music to tell the story ＂.