摘要
今天,作为中国民族乐器之一的二胡,在保留传统音乐文化精髓的同时,急于吸收外来文化的优秀成分为己所用,寻求新的发展之路。东西方音乐的碰撞交汇、传统与现代创作手法的结合、演奏技术的飞速发展,使二胡音乐的发展进入了一个辉煌灿烂的历史时代。各种地方风格、体裁内容、演奏形式和演奏技法的出现,运用不同理念创作的大量二胡乐曲的涌现,使二胡音乐呈现出前所未有的多样化现状。
Today,as one of China's national musical instruments,erhu,while retaining the essence of traditional music culture at the same time,it is eager to absorb foreign cultures as fine ingredients for their own use,to seek new development.Intersection,collision of East and West music,traditional and modern writing style combination of performance technology,the rapid development of the erhu music's development have entered a glorious historical era.Variety of local styles,genre content,playing the emergence of form and playing techniques,the use of a large number of different creative ideas emerge erhu music and erhu music presents an unprecedented diversity of the status quo.
出处
《内蒙古大学艺术学院学报》
2011年第2期89-92,共4页
Journal of Art College of Inner Mongolia University
关键词
二胡音乐
地方风格
体裁形式
演奏技法
创作方向
erhu music
the local style
genre form
playing techniques
creative direction