摘要
本文通过考察中西传统木版画的发展过程,结合重点版画家个案研究,在社会、政治、宗教、文化的背景下,不同的中西画家的社会属性和个人理想,版画语言的审美特征,主流绘画语言和版画语言的转化,版画的形制等诸多方面比较中西传统木版画的异同及其影响和交流。
Through investigating the developing processes of traditional wood cut prints of China and those of the west,together with case study of some important artists of this area,on the back ground of society,politics,religion and culture,this thesis has made comparison between wood cut prints of China and those of the west,as well as their influences and communication on aspects as different artists?social attributes and personal ideals,aesthetic characters of their print languages,transformation between main-stream painting language and that of wood cut prints.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2011年第4期96-100,166,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
传统木版画
丢勒
陈洪绶
转化
距离
Traditional wood cut print Durer Chen Hongshou change distance