音乐与视觉艺术的结合——德彪西钢琴曲《金鱼》诠释分析

A Combination of the Music and the Visual Arts:Interpretation and Analysis of Claude Debussy's Poissons d'or

德彪西深受不同领域与不同国度文艺之启迪,谱出无数佳作,其中东方风情更屡屡打动其心并多次引为媒介,创作惊艳之作。钢琴曲集《映像》第二册之《金鱼》即是德彪西透过音乐表达对遥远、虚构的东方世界之向往与神游,以及充分展现融合音乐与视觉艺术的能力,并藉此反映19世纪末"日本风尚"对法国的影响。《金鱼》虽冠有标题,但乐曲表达之意涵绝非囿限于标题字义及对乐曲乞灵物之具象联想,实应体现乐曲隐含之抽象意义和德彪西对大自然之钟情。

'Poissons d'or',the second piano piece of 'Images' Book II composed by Debussy,was not only the composer's musical expression on distant fictional world of yearning and wander east,but also a demonstration of talent on infusing visual art into his music.Furthermore,the piano piece also reflected the Parisian passions for 'Le Japonisme' in late nineteen century.This paper starts with the definition of the 'Images',followed by a description of the impact of Japanese art on French society in nineteen century,then the inspiration of 'Poissons d'or' and its origin is further explored.Finally,the author's interpretation on performing 'Poissons d'or' is also proposed.