摘要
1980年代以来,中国电影第四、五、六三代导演分别以诗意化、寓言化、个体化的影片风格为人所熟知。在这诸种影片风格背后隐藏的是导演在多种合力作用下的价值取向:第四代,价值取向上的保守主义倾向;第五代,交织着激进主义的保守主义倾向;第六代,由激进走向保守。
Since 1980s, China, three generations of film directors(the fourth, the fifth and the sixth generations) in China have been well known respectively for their poetical style, allegorizing style and personalizing style. Hidden in the styles of these movies is the value orientation of the directors formed under a variety of forces. The value orientation of the fourth generation is conservatism and that of the fifth generation is conservatism intertwined with radicalism while that of the sixth generation develops from radicalism to conservatism.
出处
《常熟理工学院学报》
2011年第5期95-99,共5页
Journal of Changshu Institute of Technology
关键词
价值取向
保守主义
激进主义
value orientation
conservatism
radicalism