从爱情发生模式看杜丽娘之死的文化意蕴

Discuss on the Cultural Implication of Ms.Du's Death by Parse the Occurrence Mode of Love

就剧本叙事中爱情的发生机制和最终结局而言,《牡丹亭》明显不同于元明以来的爱情戏曲。在《牡丹亭》的文本叙述中,汤显祖通过曝光杜丽娘最隐蔽的心理区域,对情欲在女性生命意识中所占据的分量作出了揭示。在情欲被任情敞露的舞台表演中,《牡丹亭》文本世界中的杜丽娘逐渐被凝化为以性爱之欲为主体成分的人性欲望的具象符号。在中国文化史上,这种普遍的人性欲望通过汤显祖笔下的杜丽娘这位娇弱的舞台女性形象,第一次冲决了道德和习俗的禁忌,以空前显豁和明朗的情态呈现在了世人的面前。

In terms of pattern occurred and the final sequel in the scenic narrative, ＂The Peony Pavilion＂ is distinctly differ from the love dramas since Yuan and Ming. In the text narrative of ＂The Peony Pavihon＂, Tang Xianzu had revealed how many ponderanee the lust had occupied in the women＇s sense of life, by exposure the darkest mental area of Du Liniang＇s. By exposure the lust arbitrarily in the stage performance, Du Liniang has gradually shaped as an emotional symbol of human desire, in which the major components is desire of sex. In the Chinese classical history, because of the stage persona of Du＇s appearance, who was a fragile female image, this general human desire has first shattered the taboo that created by of moral and eonsuetudinary, and presented in front of people by an obvious and clear appearance.