摘要
王朔在我国社会转型时期登上文坛,他以调侃、反讽及新京味儿语言吸引着人们的阅读兴趣,而在其语言的深层却隐含着争取话语权力的意识。当这种意识从觉醒到张扬以至于膨胀时,他的创作语言也逐渐变为一种能指的游戏,忽视了对作品意义的建构,最终导致他在20世纪90年代后期淡出文坛。
Wang Shuo started to show his talents in literature at the turning point of China society.He firmly seared the attention of his audience with scars tic,ironic and "new Beijing dialectal" tone.However,through the superficial word-level,he was always struggling for the speech right.When his awareness went through waking up,boasting and expanding,the diction in his works became a signified game,neglecting the construction of works' meaning.As a consequence,he was drifted away from the literary circle in the 1990s.
出处
《西北大学学报(哲学社会科学版)》
CSSCI
北大核心
2011年第4期147-151,共5页
Journal of Northwest University:Philosophy and Social Sciences Edition
基金
陕西省教育厅基金项目(08JK193)
关键词
话语权力意识
觉醒
张扬
膨胀
speech rights awareness
awakening
boasting
expansion