摘要
文章以常州词派的早期创作为研究对象,试图证明张琦的词学创作继承并发展了张惠言"深美闳约"的美学追求,使"深闳"和"美约"不仅分植于"意""言"两个层次,并且水乳交融为统一的美学结构;在二张歙县弟子的创作中更存在着一条"问途碧山",以"意内言外"的美学结构求得上述美学效果的普遍路径。这一努力使得常州词派找到了理论与创作的契合点。
The paper analyzes early poems created by Changzhou Poetry members and the authors.This paper also tries to indicate that Poet Zhang Qi had carried on and developed the idea of Poet Zhang huiyan of pure aesthetic and rich contents of poems.Pure aesthetic and rich contents in poem not only set two layers——meaning and expression but also form a unified structure in aesthetics.Both Changzhou poets and their followers tried to seek ways to imply metaphor in poems with selected words,as they considered by doing so,they could connect the theory and real poem creation in an attractive way.
出处
《西北大学学报(哲学社会科学版)》
CSSCI
北大核心
2011年第4期156-159,共4页
Journal of Northwest University:Philosophy and Social Sciences Edition
基金
国家社会科学基金项目(0382W031)
关键词
常州词派
张惠言
张琦
Changzhou Poetry Genre
Zhang Huiyan
Zhang Qi