摘要
中国古代长卷人物画以其特殊的卷收与展放的观看方式,形成中国绘画特有的时空观。画家通过文字题注、道具隔断、主次人物的出场次序以及人物凝视方向的引导等手段,或直接或隐晦地建构出延展的、流动的、无限的时空,突破了固定视点的有限性,在世界绘画史上独具一格。
Because of the special watching way,rolling up and opening up,Chinese ancient scroll figure painting have formed peculiar concept about time and space.The painter utilize many ways to frame continued,moving and limitless time and space.such as writing,props,the leading and supporting role,staring direction etc.It break through the limitation of fixed perspective and become a unique style in the world painting history.
出处
《商丘师范学院学报》
CAS
2011年第5期128-130,共3页
Journal of Shangqiu Normal University
关键词
长卷人物画
时空
文字道具
主次人物
凝视
scroll figure painting
time and space
writing and props
the leading and supporting role
staring