摘要
学界对"九"体的认识,有简单粗疏之嫌。"汉三九"九章成篇、代屈立言、悼屈抒愤的形式和内容并不能有效地概括"九"体的特点。认为"九"体发源于先秦的"楚辞之三九",稍后在汉人手中正式定型。然自魏晋以来,其一直处于变化的状态,尤其是宋以后,明确越过"汉三九",向"楚辞之三九"回归。内容上,凸显了两个新的主题,即抒写个人情思和祭祀。形式上,十一章与不分章的体制得到延续,另外,还出现了多种变体。
The academia＇s understanding of ＂Nine＂ Genre is too simple to summary the features of it which are more complicated than nine chapters and speaking for Qu Yuan. This paper believes that ＂Nine＂ Genre originated in three pieces of ＂Nine＂ Genre in Chu Ci and formally settled in three pieces of ＂Nine＂ Genre in Han Dynasty.After Wei and Jin Dynasties,this genre had been in a state of changing,especially after the Song Dynasty;it clearly surmounted three pieces of ＂Nine＂ Genre in Han Dynasty and returned to Chu Ci. In content,it shows two other important themes,one is expressing personal emotions while the other is worship.In texture,types of eleven chapters and non-divided chapter also survived.Besides,it also appeared some kinds of variant.
出处
《北京工业大学学报（社会科学版）》
CSSCI
2011年第4期62-66,共5页
Journal of Beijing University of Technology (Social Sciences Edition)
关键词
“九”体
抒情
祭祀
变体
＂Nine＂ Genre
lyric
sacrifice
variant
