摘要
英美分析美学是20世纪后半期在西方美学界占据主导地位的美学流派,在美学界有着深远的影响。在其内部,普遍存在对艺术批评的极端怀疑。他们质疑批评原则的普遍有效性,将批评最终归结于个人的趣味爱好,坚持批评的取消主义。然而,这种批评怀疑论存在种种理论困境。事实上,批评不仅是必要的,而且是可能的。
Anglo-American analytic aesthetics has dominated Western aesthetics since the second half of the 20th century, with far-reaching influence. Within analytic aesthetics, there is a widespread radical skepticism towards art criticism. Analytic philosophers call into question the universality of critical principles, and ultimately reduce art criticism to pure individual taste. However, on the doctrinal meaning, such a stance is one-sided and cannot stand a further analysis. As a matter of fact, besides being necessary, art criticism is also probable.
出处
《中北大学学报(社会科学版)》
2011年第4期7-11,共5页
Journal of North University of China:Social Science Edition
基金
广州市哲学社会科学"十二五"规划2011年度一般项目:英美分析美学的人文性研究(1 1Y65)
关键词
分析美学
艺术批评
怀疑论
批评的可能性
analytic aesthetics
art criticism
critical skepticism
possibility of criticism