历史的个体化:中国第六代导演对历史的影像书写

The Individualization of History: Photographic Narration of History by the Sixth Generation of Chinese Film Directors

与中国第五代导演对历史的寓言化不同,第六代更多的是将历史拉伸到当下。在这种对当下的冷静体察中,第六代将自己的个人经验带入到电影中来。通过对边缘题材的开掘,对失语的弱势群体的关注以及对一些亚文化层面的进入等影像策略,有效地打破了被官方垄断的历史记忆,在话语的"颠覆"与"包容"中实现了个人历史记忆的银幕书写。

Unlike the historical allegory of the fifth generation directors, the sixth-generation directors stretch history to the contemporary time. With cool-headed observation, the sixth generation brought his personal experiences into the movie. Through Im- age Strategy such as focusing on subject matter in the periphery, concerning vulnerable groups, as well as showing solicitude for a number of sub-cultural dimensions, they have effectively broken the official monopoly of historical memory in their discourse of ＂subversion＂ and ＂inclusiveness＂ and have achieved a photographic narration of history in personal style.