摘要
中国戏曲以开放的姿态,融合舞蹈、音乐、文学、美术、服饰等多种艺术形式,形成了独特的艺术综合体系。时至今日,戏曲仍旧以其丰富的艺术元素和深厚的文化内涵成为中国艺术工作者取之不尽的灵感源泉。中国动画界根据树立本土动漫品牌的战略需求,也开始了对戏曲元素的挖掘与利用。戏曲动画应运而生,并取得了一些阶段性成果。但目前戏曲动画的创作仍存在多方面的局限性,故应在正视现实的基础上,果断调整创作思路,对戏曲解构式融入动画创作,对戏曲动画与新媒体结合的形式进行全新的探索,创作出好看又有意味的中国戏曲动画,从而为树立中国本土动漫品牌作出新的探索。
China' s drama is mixed with dance, music, literature, fine arts, garments anu omer arts, thus becoming a mixture. Even today China's artists can acquire inspiration from dramas. China's animation has begun to draw and utilize the drama elements to make its own brands. Now some achievements have been made. However, there are some restrictions so some thinking ways should be improved to put drama elements into animation action, connect drama animation with new media and others so that good - watching and interesting drama animation may be made to explore China's own brand.
出处
《河北学刊》
CSSCI
北大核心
2011年第5期240-242,共3页
Hebei Academic Journal
基金
2010年度河北省社会科学发展研究课题<如何实现中国动画本土化--戏曲动画研究>(201003154)
关键词
动画
中国传统戏曲
现状
新媒体
观众
animation
traditional China's drama
status quo
new media
audience