摘要
清代书法分帖学和碑学两大创作流派和发展阶段。帖学未能很好继承前朝成就,碑学理论和实践存在诸多不足,后期沈曾植等人在碑帖相融方面作出一些尝试和探索,但尚显稚弱。反思清代书法,可为当今书法艺术发展提供有益借鉴。
The Qing dynasty calligraphy can be divided into two main creative sects and developing periods,that is the study of copybook and tablet inscription. But the study of copybook didn't carry on predecessors' achievement,and the construction and practice of tablet inscription had some shortcorming. The blending efforts of copybook and tablet inscription in later period showed some initial attempts and studies. Reflecting of Qing dynasty calligraphy can help us to improve modern calligraphy art and provide useful references.
出处
《太原理工大学学报(社会科学版)》
2011年第2期78-82,共5页
Journal of Taiyuan University of Technology(Social Science Edition)
关键词
清代书法
帖学
碑学
碑帖相融
Qing dynasty calligraphy
study of copybook
study of tablet inscription
blending of copybook and tablet inscription