摘要
《日本刀歌》分别见于欧阳修与司马光文集中,从版本角度,及与日本刀主人钱君倚、歌咏者梅尧臣的交游角度考证,认为此诗为司马光之作可能性更高。梅尧臣、司马光所作两首《日本刀歌》为后人提供了新的歌咏题材,并在形式和内容两个角度成为后世以日本刀为吟咏对象的诗歌范式。
Japanese Saber Song could be found in both Ouyang Xiu and Sima Guang's corpus. From perspective of version and the communication between Sima Guang, Qian Junyi, the owner of the Saber, and Mei Yaochen, the singer, this poem is more likely to Sima Guang's work. The two poems of Japanese Saber Song made by Mei Yaochen and Sima Guang provided a new theme for later generations, and became the paradigm in form and content of poetry that intoning Japanese saber.
关键词
日本刀歌
司马光
欧阳修
明代
唐顺之
Japanese Saber Song
Sima Guang
Ouyang Xiu
the Ming Dynasty
Tang Shunzhi