“易变的镜子”——论莎氏商籁体组诗中理想的自我

"The Fickle Glass":on the Ideal Self of the First Person "I" in Shakespearean Sonnets

本文旨在通过莎氏商籁体组诗中的几个他者影像来确立诗中频繁出现的第一人称"我"的身份,进而撩开其神秘的面纱,并由此揭示文学世界以及现实世界中自我身份探求的含义与价值。结合拉康镜像理论中的同形确认和异形确认两种分类方法,本文在主体"我"与"美男子"、"玻璃瓶囚徒"和"深肤色女子"的相对关系中对"我"进行同形确认,在"我"与"时间"和"歌赋"的相对关系中对主体进行异形确认,进而发现第一人称"我"试图为自己建立一个理想的虚幻世界,并以该世界里的几个他者影像为介质给自己确立了一个"理想的自我"的身份。

The paper aims at unveiling the identity of the fi rst person ＂I＂ in Shakespearean sonnets and further elaborating on the values of self-identifi cation both in the literary world and the real world.Upon reviewing Lacanian ＂mirror stage＂ the author has observed how the fi rst person ＂I＂ builds his imago or primordial form through homeomorphic identifi cation and heteromorphic identifi cation with some prevailing images in the sonnet sequence.Both forms of identifi cation help the fi rst person ＂I＂ formulate a predestined identity ＂the ideal self＂.