期刊文献+

元小说中的自我再现艺术——兼论琳达·哈琴的自恋叙事理论 被引量:11

On the Art of Auto-Representation in Metafiction:A Study of Linda Hutcheon's Theory about Narcissistic Narrative
原文传递
导出
摘要 自我再现就是把再现的兴趣和焦点从内容上移开,转向反观自身的艺术生产过程。元小说正是用这种自我再现取代了现实主义小说对生活世界的再现,通过刻意暴露文学作品的虚构性来引起人们反思现实主义再现传统的人为性和惯例性。 Auto-representation means the divertion of the focus of literary representation from the content to the process. Substituting auto-representation for the realistic representation of the life world, metafietion endeavors to expose the fictionality of literary works and to trigger the readers' rethinking about the artificiality and conventionality of realist representation.
作者 陈后亮
出处 《国外文学》 CSSCI 北大核心 2011年第3期11-17,共7页 Foreign Literatures
基金 山东省高校人文社会科学研究计划项目<琳达.哈琴的历史书写元小说理论研究>(批准号:J11WD17)的阶段性成果
关键词 自我再现 元小说 虚构性 自恋叙事 auto-representation, metafiction, fictionality, narcissistic narrative
  • 相关文献

参考文献17

  • 1陈后亮.历史书写元小说:再现事实的政治学、历史观念的问题学[J].国外文学,2010(4):3-10. 被引量:2
  • 2陈后亮.现代主义艺术以及反再现运动——西方现代文艺的一种考察[J].理论学刊,2010(12):123-126. 被引量:2
  • 3Linda Hutcheon, Narcissistic Narrative : The Metafictional Paradox ( New York : Routledge, 1991), p. 6, p. 12, p. 58, p. vii, p. 5, p. 5, p. 39, p. 150, p. ix, p. 94, pp. 99-101, p. 7.
  • 4卢卡契.《卢卡契文学论文集》(二),中国社会科学院外文所编,中国社会科学出版社1981年版,495页.
  • 5William Gass, Fictions and Figures of Life (New York: Alfred A. Knopf, 1970), p. 25.
  • 6Patricia Waugh, Metafiction : The Theory and Practice of Self- conscious Fiction (London: Methuen, 1984), p. 2.
  • 7Raymond Federman, Surfiction : Fiction Now... and Tomorrow (Chicago: Swallow Press, 1975), p. $.
  • 8Gerald Graff, Literature Against Itself: Literary Ideas in Modern Society ( Chicago : The University of Chicago Press, 1979), p. 209.
  • 9Roland Barthes, "The Reality Effect", in The Rustle of Language, trans. Richard Howard (Oxford: Blackwell, 1986), p. 146, p. 147, p. 148.
  • 10Roland Barthes, "To Write: An Intransitive Verb?", in The Structuralist Controversy: The Languages of Criticism and the Sciences of Man, eds. Richard Macksey & Eugenio Donato (Baltimore: Johns Hopkins University Press, 2007 ), p. 145.

二级参考文献21

  • 1Clement Greenberg,易英.走向更新的拉奥孔[J].世界美术,1991(4):10-16. 被引量:76
  • 2Roland Barthes.S/Z[M].Trans.R.Miller.New York:Farras Straus and Girous,1974.
  • 3Patricia Waugh.Metafiction:The Theory and Practice of Self-conscious Fiction[M].London:Methuen,1984.
  • 4Raymond Federman.Surfiction:Fiction Now and Tomorrow[M].Chicago:Swallow Press,1975.
  • 5Nol Carroll.Conspiracy Theories of Representation[J].Philosophy of the Social Science,VoI.3,1987.
  • 6Bertolt Brecht.Brecht on Theatre:The Development of an Aesthetic[M].Ed.and Trans.John Willet,New York:Farrar,Straus and Girous,1964.
  • 7[美] 马尔库塞.作为现实形式的艺术[A].[英] 汤因此.艺术的未来[C].王治河.桂林:广西师范大学出版社,2002.
  • 8Gerald Graff.Literature Against Itself:Literary Ideas in Modern Society[M].Chicago:The University of Chicago Press,1979.
  • 9J.Childers.Columbia Dictionary of Modern Literary and Cultural Criticism[M].New York:Columbia University Press,1995.
  • 10Jacques Derrida.Dessemination[M].Trans.Barbara Johnson.Chicago:University of Chicago Press,1981.

同被引文献73

引证文献11

二级引证文献9

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部