摘要
日本当代著名作家大江健三郎的小说创作具有明显的互文性特征。大江早期小说的基本主题主要源于他对萨特存在主义影响的积极回应和主动消化;80年代起大江通过"引用"西方文学和自己的作品及其他艺术手法,有意识地凸显其小说创作的互文性特征;晚期的大江在创作"奇怪的二人配"三部曲时,已经把互文性当作重要的小说话语策略。
There are some evident intertextual characteristics in the literary creation of Kenzaburo Oe, a famous writer in contemporary Japanese literature. The basic themes of Oe＇s earlier stories come from his positive response to the influence of Sartre＇s existentialism. ＂Since the 1980s, Oe has consciously highlighted the intertextual characteristics of his fiction by borrowing from Western literary works and other artistic approaches. In his trilogy Strange Two-Person Group, Oe takes intertextuality as an important strategy of his fictional discourse.
出处
《国外文学》
CSSCI
北大核心
2011年第3期59-66,共8页
Foreign Literatures
关键词
大江健三郎
小说创作
互文性
引用
拟私小说
Kenzaburo Oe, literary creation, intertextuality, borrowing, simulated personalexperience fiction
