摘要
陶瓷艺术属于工艺美术的范围,大体上与绘画、雕刻相类似,但创作时更容易受到材料和工艺制作上的限制。这样艺术家在进行陶瓷艺术品创作时,时常会碰到意想不到偶然情况,如:色釉窑变、起泡、阴黄、龟裂等等。如何在偶然的情况下,寻找一定的规律,进而产生灵感,激起创作艺术之火花,并对其进行深入的认识、掌握、挖掘,变偶然为必然。这是对一个陶艺家是否成熟的考验。从偶然发现,到必然掌握,要有机缘,也要有心计,更要有锲而不舍、百折不挠、一往无前的开拓和创新精神。
Porcelain belongs to industrial arts. It' s similar to draw and carve in general. But porcelain is subject to limitations between material and handicraft. When artists are making ceramics and porcelain, they often face with unexpected accidentally events. Such as. the porcelain is having glaze in blending multiple colors, getting blisters, gin jaundice checking and soon. How to seek for the general rule in accident is necessary. Because it can produce inspiration and activize creative arts, then to know. Predominate and dig it deeply, to change it from accident to necessity. It is a test for a ceramist whether he is mature. The ceramist should have opportunities and schemes. More important, he should have innovation spirit of working with perseverance. Keeping on fighting in spite of all setbacks and straighten ahead.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2011年第9期66-67,共2页
China Ceramics
关键词
陶瓷艺术
创作
偶然
必然
ceramic art, creation, accident, necessity