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异曲同工:“死水”遥映“恶之花”——论闻一多与波德莱尔诗歌创作美学的趋同性

Different in Approach but Equally Satisfactory in Result:"Stagnant Water" Echoes "Evil Flowers"——Research into the Convergence of the Poetry Aesthetics between WEN Yi-duo and Baudelaire
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摘要 闻一多与波德莱尔两位诗人虽然身处不同国度,不同时代,但黑暗腐朽的社会制度促使他们产生悲观主义情绪,并在诗歌创作中借丑恶现实的物象表达心中的愤懑与忧郁。两人都不约而同地体现了"以丑为美"、"化腐朽为神奇"的创作意旨,并最终殊途同归,表达了对时代、民族的忧患意识,彰显了人道主义情怀。 Although the two poets WEN Yi-duo and Baudelaire lived in different countries and different times,the dark and corrupt social system made them produce feelings of pessimism,and both expressed their resentment and melancholy through images of hideous reality.Both of them happened to coincide in producing similar creative intention of considering "ugly" as "beautiful" and transforming "decadent" to "magic",and achieved the same effects of expressing their anxiety for the unexpected development of their ages and nations,and revealing their humanist feelings.
作者 刘梅芳
出处 《安庆师范学院学报(社会科学版)》 2011年第8期43-47,共5页 Journal of Anqing Teachers College(Social Science Edition)
基金 湖北省三峡大学研究生创新项目"西方文论中国化"(2010CX064)
关键词 闻一多 波德莱尔 诗学 趋同性 WEN Yi-duo Baudelaire poetics convergence
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