摘要
江南美学研究来自于区域研究模式、中国美学史的空间类型、长三角的经济发展的现实需要。江南美学由地理江南、心理江南、文化江南等聚合而成。江南美学在历史上可分为三段:从新石器时代到西晋的以良渚文化、吴越文化、楚文化负载的前江南美学,从东晋到清代的以南京、扬州、杭州、苏州等为负载的江南美学和从民国到今天以上海为核心地区和最强极场的后江南美学。江南美学研究尚处在初始阶段,有一系列问题需要提出、开拓、深化。
The current South China esthetics research is the realistic need of the region research pattern,the spatial type of Chinese esthetics history,the Yangtze Triangle economic development.The South China esthetics is a polymerization of the geography,psychology,and culture of the South China.The South China esthetics may be divided into three sections in history:the pre-esthetics from the Neolithic to the Western Jin Dynasty embodied by the Liangzhu Culture,the Wu and Yue kingdom culture,and the Chu culture;from the Eastern Jin Dynasty to the Qing Dynasty embodied by Nan- jing,Yangzhou,Hangzhou,Suzhou and so on;post esthetics from the Republic of China to today represented by Shanghai as the core area and with the most distinguished feature.The South China es- thetics research is still at its primary stage and there are a series of questions to be put forward, opened up and deepened.
出处
《中国人民大学学报》
CSSCI
北大核心
2010年第6期116-122,共7页
Journal of Renmin University of China
基金
浙江省社会科学研究重点项目“江南美学史”(09JDJN003Z)
关键词
江南美学
地理江南
心理江南
文化江南
概念移动
历史类型
South China esthetics
the geography
psychology
and culture of the South China
concept transference
historical pattern