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《所罗门之歌》的文本图像特征 被引量：3

The Characteristics of Text Image in Song of Solomon
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摘要 文本图像是指语言艺术的图像化。本文在承认语言和图像叙述差异的基础上,结合两种叙述方式自身革命化的需求和趋势,以托尼·莫里森的《所罗门之歌》为文本案例,力图说明语言叙述是一种非分离性的符号体系,小说的结构、情节和人物塑造具有强烈的空间意识,从而使语言叙述具有了图像叙事的功能。 Text image refers to the visualization component of the art of language. On the basis of admitting the difference between language narration and image narration, this paper, with Song of Solomon as an example, is to prove that language narration can function the same way with image narration since it is a non-separate semiotic system and it has a strong spatial sense in the structuring, plotting and characterization of a novel.
作者 包威
机构地区 黑龙江大学
出处 《外语学刊》 CSSCI 北大核心 2011年第5期139-142,共4页 Foreign Language Research
关键词 《所罗门之歌》 文本图像 叙事 Song of Solomon text image narration
分类号 I024 [文学—文学理论]
  • 相关文献

参考文献9

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  • 4W.J.T.米歇尔图像理论[M].北京:北京大学出版社,2006年.
  • 5朱梅.拒绝删除的记忆幽灵--从托尼·莫里森的《宣叙》谈起[J].外国文学评论,2008(2):87-94. 被引量：14
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二级参考文献16

  • 1托妮·莫里森.《所罗门之歌》，胡允恒译，外国文学出版社，1987，第237页.
  • 2Harris Trudier, “Watchers Watching Watchers: Positioning Characters and Readers in Baldwin's ‘Sormy's Blues' and Morrison's ‘Recitatif' ” in King Lovalerie and Scott Lynn Orilla eds. , James Baldwin and Toni Morrison: Comparative Critical and Theoretical Essays, New York, NY: Palgrave Macmillan, 2006.
  • 3Goldstein-Shirley David, “Race and Response: Toni Morrison's ‘Recitatif' ,” in Short Story (5: 1), 1997 Spring, pp. 77-86.
  • 4Ann Rayson, “Decoding for Race : Toni Morrison's ‘Recitatif' and Being White, Teaching Black,” in Larry E. Smith and John Rieder eds. , Changing Representations of Minorities East and West, Honolulu, HI: College of Languages, Linguistics and Literature, University of Hawaii, with East-West Center, 1996, pp. 41 - 46.
  • 5Toni Morrison, Playing in the Dark : Whiteness and the Literary Imagination, Cambridge: Harvard UP, 1992. p. xi.
  • 6Betty Fussell, "All That Jazz," in Taylor-Guthrie, Conversations with Toni Morrison, p. 283. Rpt. from Lear's 5.8 (1 October 1992): 68.
  • 7Jones Bessie W. and Audrey Vinson, "An Interview with Toni Morrison," in Taylor-Guthrie, Conversations with Toni Morrison, p. 172, p. 179.
  • 8Toni Morrison.“Reeitatif,”载陶洁主编.《美国文学选读》,高等教育出版社,2005年版,第323页.
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  • 10Tafarodi R. W. , Tam J, Milne A. B. , "Selective Memory and the Persistence of Paradoxical Self-esteem", in Personality and Social Psychology Bulletin, 2001. 27 : pp. 1179 - 1189.

共引文献114

同被引文献23

  • 1吕红兰.从《最蓝的眼睛》看莫里森的黑人异化观[J].作家,2011(20):92-93. 被引量：2
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  • 3莱辛.拉奥孔[M].北京：人民文学出版社,1979.202.
  • 4龙迪勇.图像叙事:空间的时间化[J].江西社会科学,2007,27(9):39-53. 被引量：226
  • 5P. Brooks, Reading for the Plot: Design and Intention in Narrative (New York: Vintage, 1984) , p. 11.
  • 6H. Porter Abbott, The Cambridge Introduction to Narrative (New York: Cambridge University Press, 2002), p. 74.
  • 7夏目漱石:《草枕》,东京新潮社1977年版,68,132,127页.
  • 8夏目漱石:《哥儿草枕》,陈德文译,海峡文艺出版社1986年版,159页.
  • 9夏目漱石:《漱石全集》第18卷,东京岩波书店1979年版,173-174,301页.
  • 10W.J.T.米歇尔:《图像理论》,陈永国、胡文征译,北京大学出版社2006年版,140页.

二级引证文献7

外语学刊
2011年 第5期

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