摘要
生态美学是一门崭新的学科,但生态美意识由来已久。欧阳修词中的生态美倾向主要表现在两个方面:一是自然生态美,主要是指人与自然的和谐;二是文化生态美:主要有节日词所展现的文化生态美、歌妓制度所透露的文化生态美和传统文化品格中的文化生态美。这些词在客观反映作者的生态美意识与人们的生存状况的同时,也反映了词与正统文学处于相背离与修补的状态及作者面对这种情况的徘徊感。因此用诗化的笔法阐释生态美意识成了作者的一个选择。
Ecological aesthetics is a brand-new discipline, while ecological beauty consciousness has a long history. The ecological beauty tendency of OuYang-xiu's ci-poet is mainly shown in two aspects: one is the natural ecological beauty, which mainly refers to the harmony between man and nature; The other is cultural ecological beauty: festival ci-peot show cultural ecological beauty, song brothels system reveals the cultural ecology of beauty , traditional culture character of cultural and ecological beauty. These el-poet are in the objective reflection of ecological beauty consciousness and ecological living conditions of people, but also reflect the literature on the word and the orthodox departure from and repair status and the author face this kind of situation lingering feeling. So the poetic prose style with ecological beauty consciousness became the author's choice.
出处
《重庆文理学院学报(社会科学版)》
2011年第5期41-46,共6页
Journal of Chongqing University of Arts and Sciences(Social Sciences Edition)
基金
贵州省铜仁学院校级社会科学研究项目"论欧阳修诗词中的生态美学倾向(项目号:TR076)"的研究成果
关键词
欧阳修
词
生态美学
OuYang Xiu's Ci-Poet,ecological aesthetics,natural ecologica beauty,cultural ecological beauty