明末清初的平和窑青花瓷绘艺术初探

A Study on Art of Blue and White Porcelain Painting of Ping He Kiln in the Late Ming and Early Qing

明末清初的平和窑青花瓷绘艺术,是当时那个历史时期所产生的艺术现象,它们的出现主宰着当时陶瓷装饰的流行走向,在装饰风格上存在着重所描绘物象的精神实质,重作者主观感兴的抒发,重意念的表现,因而较多地采用减笔画法。对于这种减笔画法,我们不能简单地把它理解为单纯的"形式"问题。当我们谈及明末清初的平和窑青花瓷绘艺术的时候,应该把它们看作是那个历史时期多种因素制约下的精神物化现象,并从中探究其风格的本质意义。

The art of blue and white porcelain painting of Ping He Kiln in the late Ming and early Qing, was the phenomenon of art producing in the historical period, it was the popular trend of the ceramic decoration. There is emphasis on the spiritual essence of the depicted images, expressing their subjective sense of the authors, performance of ideas in the decorative style, and thus method of reducing stroke was taken greater use. For this method of reducing strokes, we can not simply understand it as a mere Form issue. When we talk about the art of blue and white porcelain painting of Ping He Kiln in the late Ming and early Qing, it should treat them as the physical and chemical phenomena of the spirit under a variety of factors in the historical period, and to explore the nature of its ,~tyles.