甘蔗没有两头甜——论王海鸰婚姻系列小说创作的纠结

No Sugarcanes Are Sweet at Both Ends:An Analysis of Entanglements in Wang's Serial Novels on Marriage

被誉为"中国婚姻第一写手"的王海鸰,一直把婚姻、家庭作为反映现实社会的主要题材,她用自己对婚姻、家庭一贯冷静而又略带残酷的剖析,还原婚姻的本质,以女性的视角展现婚姻中男女两性的纠结,折射人性背后的矛盾。鲜明的女性写作风格和无法逾越的男权文化规范,让王海鸰在创作心理及人物形象塑造上都经历着认同、归附与叛逆、反抗的博弈。

Known as the No. 1 novelist in China specializing in marriage, Wang Hailing has always been refleeting the society by depicting marriage and family life. She tries to restore the essentials of marriage and family, analyzing them in her own consistently cool-headed and slightly brutal style. In her novels, she al- so opens out the entanglements between men and women to reflect the conflicts hidden in human nature from a feminine angle. Her impressive feminine writing style and the insurmountable man-dominated cul- tural standards enable her creative thinking and image portraits to go through a gaming process of approving, subordinating, disapproving and rebelling.