摘要
《水浒传》中,潘金莲、潘巧云与阎婆惜三个女性都因红杏出墙,最终惨死在男性刀下,留下了"淫妇"的骂名。在和男性交往中,三人虽性格不一,表现各异,但在根本上都处于被观看和审视的弱者地位。除了书中的男性人物,在她们背后,叙事者那带有偏见的目光更笼罩了一切,并潜入文本,通过强行干预的叙事行为导致了"淫妇"形象的生成。
In Water Margin,three females Pan Jinlian,Pan Qiaoyun and Yan Poxi are all killed by men because of extramarital love and leave a bad name as'immoral woman'.Though these women with different characters have their own skills in connecting with men,they are,fundamentally speaking,at a weak position of being watched and examined.It is narrator’s bias towards females through the whole story and forcible intervention in narration that bring the image of'immoral woman'into being.
出处
《长江大学学报(社会科学版)》
2011年第7期10-13,5,共4页
Journal of Yangtze University(Social Sciences Edition)
关键词
《水浒传》
偷情女性
看
被看
叙事
Water Margin
women with extramarital love
watch
be watched
narration