摘要
《南曲九宫正始》是明末清初重要的一部南曲谱,保留了大量的宋元南戏曲文,对这些曲文进行考察,可以窺探宋元南戏曲韵的特点,为曲韵的全面研究奠定基础。根据"主、次韵位"说的基本原则,明确《正始》"元传奇"的韵位确定方法,并据以系连韵脚字,以《中原音韵》为参照系总结宋元南戏曲文的押韵情况;从中概括规律,对各种合韵现象作出解释。印证了前人关于南戏曲韵特点的论述,并总结为六大特点。补述了未曾引起前人广泛注意的六种特殊通叶类型,正是由于这些既不符合《中原音韵》,又不符合吴语特点的特殊通叶,使得南戏的用韵显得"杂乱";结合南戏历史上与福建的密切关系,对这些特殊通叶的成因做了探究,认为是福建方音的一种流露。
As one of the most important books of southern drama produced in the late Ming and early Qing Dynasties,Nanqujiugongzhengshi（《南曲九宫正始》） records quite a lot of southern drama verses from Song and Yuan Dynasties.Study on them will reveal the rhyming patterns that existed then.Within the framework of primary-secondary rhyme status,this paper clarifies the rhyme orientation methods in the book and examines the general rhyming patterns in drama after comparing it with phonological system in Zhongyuanyinyun（《中原音韵》）.It also introduces six special rhyming ways that neither conform to Zhongyuanyinyun nor Wu Dialect,and proposes that they indeed originated from dialects in Fujian.
出处
《语言科学》
CSSCI
北大核心
2011年第5期528-538,共11页
Linguistic Sciences
关键词
《南曲九宫正始》
“元传奇”
曲韵
特点
Nanqujiugongzhengshi（《南曲九宫正始》） southern drama of Yuan Dynasty rhymes features
