摘要
《我的生活如同虚构》是一部承载着文学批评功能的后现代理论小说。作者彼得.凯里在重建澳大利亚历史叙事的同时,又将虚构作品的理论融入错综复杂的人物和情节之中。本文围绕"互文性写作"、"施为性叙事"和"语言游戏"三个方面,通过论述小说所隐含的真实与虚构、作者与读者、读者与文本、文本与语言等基本关系,揭示其后现代理论小说的特征。彼得.凯里采用"中国套盒结构"对"厄恩.马利骗局"进行颠覆性重写,不仅彰显出历史叙事的主观性,尽现小说虚构性的刀斧痕迹,而且使读者认识到小说只不过是一场后现代主义的语言游戏,永远处于意义的解构与建构之中。
My Life as a Fake is a postmodern novel with the theoretical intent. While reconstructing Australian historical narrative ,the author Peter Carey integrates theories of fiction into complicated characters and plots of the book. This paper, in light of intertextual writing, performative narration, and language-game, endeavors to reveal and explore its prominent characteristics of postmoderu theoretical novel through expounding the primary relationships between truth and fiction, author and reader, reader and text, and text and language embodied in the novel. The subversive rewriting of ＂Eru Malley hoax＂ by Peter Carey through ＂Chinese box＂ not only exhibits the subjectivity of historical narration and displays the making process of fictionality, but also makes the reader perceive that fiction is nothing but a stuff of language-game whose meaning derives from the constant negotiation of construction and deconstruction.
出处
《外国语文》
CSSCI
北大核心
2011年第3期7-13,共7页
Foreign Languages and Literature
基金
2009年教育部新世纪优秀人才支持计划<澳大利亚文学批评史>(项目编号:NCET-10-0884)
