从辞采镂金到芙蓉出水——论唐寅诗风的转变

From Exquisiteness to Nature-On the Changes of Tang Yin's Poetic Style

唐寅的诗歌在明中叶的吴中文坛独树一帜。唐寅的前期诗歌崇尚六朝,用词造句铺张绚彩,藻思丽逸。后期诗歌在题材上,他将吴中市井的世俗情感带入诗歌创作中,代市民立言,为市民写心,表现出对传统价值观念的嘲讽和批判;在语言的运用和诗歌的内在结构上,不甚讲究含蓄和蕴藉,突破了传统诗学的审美模式,显示出与古典主义诗歌截然不同的面貌。

Tang Yin＇s poetry in mid - Ming period in Central Wu has something of its own. His previous poetry worshiped the six dynasties, using colorful words and a lot of rhetorical devices and presenting extravagance and idleness. Later, he put the secular emotions of Central Wu people into his poetry, speaking for the people, as the people and satirizing and critisizing traditional values. In the application of language and the inner struc- ture of his poems, he didn＇t pay attention to exquisiteness at all, breaking through the traditional poetic aesthetics and showing a different aspect which is totally different from the classical poetry.