摘要
中国木结构建筑有着其独特的构建特色和营造法式。在传统文化影响下,建筑同书法在空间构成关系、色彩观念及视觉审美思维等方面都有着很大的趋同性。本文论述了建筑"中轴对称"与书法"永字八法"在平面构成中的内在契合性质,以及书法与建筑的传统色彩观念,说明了二者共同的艺术思维方式及文化心理。
Chinese wood-frame construction has its unique characteristics and rules of architecture. Under the influenee of traditional culture, traditional buildings have a great deal of convergence with calligraphy in terms of space composition, color and visual aesthetic ideas. This article discusses internal properties of plane structure between architecture theory "midline symmetry and court at the front and chamber at the rear"and calligraphy theory "eight methods of Yong",and traditional color concepts of architecture and calligraphy, and then describes their artistic way of thinking and cultural psychology.
出处
《新疆艺术学院学报》
2011年第3期90-93,共4页
Journal of Xinjiang Arts University
关键词
建筑语境
空间构成
书法
色彩观
Architecture context
Spatial composition
Calligraphy
Color Concept