摘要
中国少儿电视剧是中国电视业的产物,在其诞生之初即受到党和政府的高度重视,承担起教育少年儿童的重要作用。早期的中国少儿电视剧创作很丰富,但与之相关的理论批评却相对滞后,在整个20世纪60-70年代均未出现。1978年中国改革开放之后,中国电视业再一次焕发出勃勃生机,中国少儿电视剧创作迎来了第二个创作高潮期,同时,中国少儿电视剧理论批评也伴随着创作开始出现,因此中国少儿电视剧理论批评史的出发点要设置在80年代之后。
China Children's play is a product of China's TV industry,which in the beginning of its birth by the party and government attaches great importance to assume an important role in education of children.Early Chinese writing is very rich in children's TV play,but the associated theory of criticism is relatively slow,in 1960' and 1970' there were no theory and criticism,in 1978,after China's reform and opening up,China's TV industry once again full of vitality,China children's TV play creation ushered in the height of the second creation,at the same time,the history of Chinese children's play theory,criticism also began to appear along with creation.Therefore,History of Chinese children's TV play critical theory starting point after 1980'.
出处
《北京教育学院学报》
2011年第4期52-55,共4页
Journal of Beijing Institute of Education
基金
北京市教育委员会2009年社科计划面上项目"中国少年儿童电视剧理论与批评史研究"的成果
项目编号:SM200911626001
关键词
中国
早期少儿电视剧
创作
理论批评
China
early children's TV
creation
theory and criticism