摘要
在社会转型与审美现代性批判中,近十年乡村影视"乡村—母亲"道德意象的构型,表征的是其精神画像的道德崇高。在全球化与本土化文化冲突中,"乡村—母亲"作为农耕文化怀旧与家园诉求的审美意象,内中葆有文化心理的亲切感与道德伦理的回归感。
In social transformation and aesthetic critique of modernity, the configuration of ethics image of "Country--Mother" in perspective from rural TV in the last decade which characterized by the noble morality of moral portrait. In the cultural conflict between the globalization and localization, "Country-Mother" which as the demands of nostalgia of Rural China culture and the aesthetic image of seeking homeland, represents the intimacy of cultural psychology and a sense of returning homeland in the dimension of ethics.
出处
《昆明理工大学学报(社会科学版)》
2011年第4期98-102,共5页
Journal of Kunming University of Science and Technology(Social Sciences)
关键词
现代化
乡村
母亲
道德意象
构型
modernization
country
mother
ethics image
configuration