论蒙古史诗中的岩石崇拜审美观念

On Rock Worship Aesthetic Concepts in Mongolian Epics

岩石崇拜是蒙古史诗中反映出来的原始信仰的一种。蒙古史诗中描述主人公的形象或叙述情节时都能体现出来岩石崇拜。岩石崇拜在描写主人公的神圣和力大无比时起着重要艺术审美作用。主人公在岩石里怀胎出生;主人公手里持着岩石或战刀出生;主人公变成岩石而持有了神力的三个母题所反映的文化意识是在当时存在的神话意识的基础上产生的,是岩石神圣化的信仰意识和崇拜力量的艺术审美观念相结合的产物。艺术手法方面来看,岩石崇拜是在当时人们形象思维的基础上被创造的,是神话思维及人与自然融为一体观念相结合的产物。

rock worship is one of the primitive beliefs reflected in Mongolian epics. Rock worship can always be indicated in describing the image of the heroes and the narrative plot. Rock worship plays important aesthetic function in describing the sacred and titanic heroes. The cultural consciousness mirrored in three motifs of being born form the rock, being born with a rock or swords in hands, and becoming a rock with sacred power is produced based on the mythical consciousness of that time. It is the production of integrating belief consciousness of making rock holy with art aesthetic concept of adoring power. The perspective of aesthetic is the product of mythical thought and the concept of integration of man and nature based on the thinking in images.