朵渔的不多余——论朵渔的诗歌创作特色及其对当代诗坛的意义

Non-redundance of Duo Yu's Poems——and on the Features of Duo Yu's Poetic Creation and the Significance to the Contemporary Poetry

朵渔在诗歌写作中抛弃了从概念到概念的抽象的哲学名词的演绎后换来的是对生活的即时性、当下性和个人性的审美把握,对僵死的哲学概念的内涵与外延的悬置延宕敞亮了备受遮蔽和压抑的生活的鲜活性和丰富性。朵渔以形而下的描绘与形而上的探索、自责意识与难能可贵的反省精神,在琐碎庸常、反复循环、单调乏味的日常生活中去发现被习以为常熟视无睹的惯性思维遮蔽的事物的另一面。这种脚踏实地的诗风也为理论的夸大与实验的渺小、标签的美轮美奂与作品的干瘪无味的乱哄哄的当代诗坛提供了有益的借鉴。

In his poetic creation Duo Yu abandoned the philosophic interpretation of abstract terms from concept to concept, obtained the esthetic grasp of instantaneity, currency and personality in life, suspended and delayed the intension and extension of dead philosophic conceptions and brightened the freshness and richness of closed and suppressed life. With some physical description and metaphysical exploration, reflection, and self - examination, he tried to look for the other side of things in life covered by the inertial thinking and people get used to and turned a blind eye to from trivial, plain, repeated and monotonous daily life. This steadfast poetic style provides some instructive reference for the contemporary poetic circles which is full of exaggerated theories, less experiments, beautiful labels, tasteless works, and tumultuous disorder.