戏剧情节的发生与族性——基于侗戏的田野调查与美学思考

The Creation and Ethnicity of the Dramatic Plots——Based on the Field Survey and Aesthetic of the Dong Drama

侗戏在情节设置上有舒缓柔和的特性,与"冲突的强烈、矛盾的尖锐"有着"背道而驶"的审美价值取向,也就是说它在一定程度上弱化了戏剧冲突。这种在戏剧情节上所显现的"背道而驶"的审美习惯与其族性有着很密切的关系。对侗族戏剧情节的异质性与其族性关系的研究,对当下民族文化交融与碰撞的时代背景下的文化借鉴与创造具有现实和学术意义。

The Dong drama is featured by looseness and gentleness in terms of its plot disposition, which is quite a contrast to ＂violent collisions and sharp conflicts＂ . In other words, it weakens the dramatic conflicts to some extent. The particular aesthetic taste in dramatic plotting, which counters the usual dramatic conflicts, is closely associated with its cthnicity. The present study on the heterogeneity of the Dong drama and its relationship with ethnicity may exert a positive influence on the cultural reference and creation under the background of cross-ethnical amalgamation and collusion.