摘要
20世纪20年代创办的《大公报.文学副刊》,对德国文学的研究在看似散乱中却隐含着一条主线:通过对歌德、莱辛、施莱格尔兄弟等代表性作家的研究,重点展示了18世纪末至19世纪初德国文学发展的几个亮点,勾勒了该时期德国文学发展的主线;《大公报.文学副刊》传播与研究德国文学的主要原因是18———19世纪的德国文坛与20世纪初期的中国文坛有很大的相似性,其探讨的某些问题也是20世纪初期中国文坛所关注的话题;《大公报.文学副刊》的德国文学研究,特别是其歌德研究对当今中国比较文学研究有两方面的启示:一是对研究对象要整体把握和全方位阐释,二是重视以往的研究成果,在构建知识谱系的基础上展开研究工作。
Ta-Kung-Pao Literary Supplement, which was founded in 1920s, had researches on German literature scattered. However, all its researches had followed an implied line which had revealed the main points of the German literature in the late 18Lh to the early 19^th through the studying of Goethe, Lessing, Schlegel brothers, etc. And, it also had drawn the outline of the development of German literature. The main reason that Ta-Kung-Pao Literary Supplement had spread and studied German literature is the similarity between the German Literary circles in the 18^th to 19^th century and the Chinese literary circles in the early 20^th century, they had shared some topics to pay attention to. The researches on German literature in Ta-Kung-Pao Literary Supplement, especially the researches on Goethe, inspired Chinese compar- ative literature studies in two aspects: One is the entire understanding and comprehensive interpretation of the research objects; the other is the previous research achievements, researches based on the structure of intellectual genealogy.
出处
《湖南大学学报(社会科学版)》
CSSCI
北大核心
2011年第5期98-102,共5页
Journal of Hunan University(Social Sciences)