自由对题的飞翔空间——赋格写作研究之二

On the Sequel of Composing Fugue——Free Counter-subject

文章从对题在赋格中使用的情况,自由对题的素质,写作特点之比较等方面,阐述了自由对题使用现状、实际价值。试图让这一被忽略的,然而又独具特色的复调音乐表现手段,引起作曲者、教学者、研究者的关注。此文是笔者所写《三个基本数据一张设计图式》①的续篇。

This article is the sequel of author＇s other article, that is, Three Basic Data, One Design Sketch, which gives an overview of the current situation and practical value of using free counterpiont from aspects of the counterpiont in fugue,the quality of free counterpiont and composing characteristics ,in order to make this special manifestation ignored catch composers, educators and researchers＇ attention.