摘要
与中华文化传统的人文精神相系,颜钧追求"孔仁颜乐"的审美境界。具体来说其境界有三个层次。首先是"是仁谁生,是生明哲"的道德之境。由仁而来的道德境界是审美境界的第一个层次,是完美人格的基础。其次是"完复天真"的自由之境。在颜钧看来,"天真"既是人性被欲望遮蔽前的心性状态,亦是去蔽后的最佳去处。"复天真"是一种超越,超越欲望的束缚,超越不自由的境界至自由的境界,人在这种超越中完成对自身的解放和发展。最后是"恢复初心兮乐悠悠"的情感之境。他认为随性自然是对人的存在的一种尊重,率性而乐是生命本真美的最好显现。这个由"乐"构成的情感之境就是颜钧审美境界的第三层次,也是最高层次。
Attached to the humanities in Chinese cultural tradition, Yan Jun pursues an ideal aesthetic personality which includes three aesthetic realms. The first one is the morality realm resulting from humanity and constituting the base of perfect personality. The second one is simplicity and freedom, which Yan Jun thinks is not only the mental state when humanity is suppressed by desire but also the ultimate destination where humanity goes when emancipated from the suppression of desire. In order to reach this status, one should surpass the thirsty of lust and the constraint of desire. The third one is emotional realm which, centering on "le", is the highest one of the three realms. Yan Jun holds that being oneself means to respect human-being's existence and also reveals life's aesthetic of simplicity and freedom.
出处
《扬州大学学报(人文社会科学版)》
北大核心
2011年第4期89-94,共6页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
基金
国家社会科学基金项目(09BZX061)
华侨大学"侨办科研基金资助项目"(10QSK11)
关键词
泰州学派
颜钧
审美境界
乐
Taizhou Sehool
Yan Jun
aesthetic realms
le