北朝时期中原正统观念下的民族身份坚持——北朝音乐的文化精神

National Identity Holdout under Orthodox Mentality in Northern Dynasty in Central China

北朝音乐系统中,一直有两种文化并行,一种是代表中原正统文化的儒家社会政治文化,另一种则是草原文化。北朝统治者对于中原社会政治文化的继承并没有同步到艺术精神领域。一方面他们以汉化的方式建构自己的国家文化形象,另一方面则又保留了强烈的民族艺术特质。具有少数民族特质的音乐文化中的民族性的彰显,正是北朝时期北方民族文化身份认同的表现。

In the musical system in Northern Dynasty, there existed two euhures, one was the Confucianism, standing for the orthodox euhure in Central China, and the other was the grassland euhure. The rulers in Northern Dynasty did not inherit art and spiritual things as quick as they did in political euhure. On the one hand, they established their national cultural image in the way the Hans did, and on the other hand, they preserved their strong ethnical art characteristics. The display of their minority nationality in their musical culture was exactly the expression of their identity identification of northern people.