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批评的多样性与限制

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摘要 维特根斯坦的整体美学思想并不支持"亲知原则",因为这个原则将最终导致审美语词、批评性论证的意义完全由内部心理内容所赋予,这与维特根斯坦关于语词意义来自于其用法、进而来自于语境的思想全然相悖。关于艺术批评之实质的"知觉理论",是对当代艺术批评状况的一种深刻而富于启发的解释,但它并不能规定艺术批评的唯一本质。
作者 黎萌
出处 《电影艺术》 CSSCI 北大核心 2011年第5期22-26,共5页 Film Art
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