从北魏龙门石窟艺术透视南北审美文化的交融

The Fusion of the Northern and Southern Aesthetic Cultures in Longmen Grottoes Arts in the North Wei Dynasty

龙门石窟是中国三大佛教艺术宝库之一,是历代皇室贵族发愿造像集中之地,也是皇室意志以及人们对生活追求的缩影。龙门佛教艺术与当时社会的流行风尚密切相关。北魏龙门石窟气质清秀、风格迥异,突出地反映了当时的艺术特色和人们的审美情感。魏晋南北朝时期的南北文化背景和南北人员交流等,对北魏龙门石窟造像艺术特点的形成产生了重要影响。从龙门石窟造像所体现出的审美文化中可以洞察南北绘画美学精神的传导与交流。

Longmen Grottoes is one of the three major Buddhist art treasures in China. It is the centre place of ancient royal ideal statues and the miniature of people＇s pursuit of life. Longmen Buddhist art is closely related to fashion of the society at that time. Longmen Grottoes is found of delicate temperament and special styles which reflected people＇s aesthetic character and emotion in Northern Wei Dynasty period. The background of culture and communication of personnel between the northern and southern parts of China had a major impact on the formation of the art characteristics of Longmen Grottoes in the Northern Wei Dynasty. The influence and communication with the Southern Dynasties in aesthetic spirit of painting can be seen from it.