摘要
王元化先生上世纪末的学术努力以"九十年代反思"著称,反思焦点包括重新评赞王国维。然而王元化对王国维的钦敬至少始于20世纪60年代,其时开始撰写的《文心雕龙创作论》堪为表征。后者包括引鉴其文字考证成果,评赞其文艺美学观点,运用其首倡的"二重证据法",以及称颂其为"开拓新境界"的代表人物。"九十年代反思"后的王元化进而从思想史范围与学术精神高度推重王国维,部分原因是基于此前的研究和体认。
Mr.Wang Yuanhua was famous for his academic efforts "reflection in 1990s",including re-praising Wang Guowei.But Wang Yuanhua had begun to admire Wang Guowei since 1960s,and at that time he was writing "Creation Discourse of The Literary Mind and The Carving of Dragons ".In that masterpiece,Wang Yuanhua cited textual research outcomes ascribed to Wang Guowei,reviewed his literary aesthetics conceptions,applied "dual-proof methodology" he advocated,and praised him to be the representational figure who "opened up a whole new world".
出处
《艺术百家》
CSSCI
北大核心
2011年第5期49-54,266,共7页
Hundred Schools In Arts
基金
2010年度上海市哲学社会科学规划课题项目"王元化文艺美学研究"(项目编号:2010BWY001)阶段性成果之一
关键词
王国维
王元化
文心雕龙
艺术创作
九十年代反思
学术精神
Wang Guowei
Wang Yuanhua
The Literary Mind and The Carving of Dragons
Artistic Creation
Reflection in 1990s
Academic Spirit