摘要
"临川四梦"中的《牡丹亭》,其创作主旨乃是歌颂至情战胜天理,这似乎已成为当前学界主流评论的共识。但本文认为,《牡丹亭》其实乃是情、理、势"并露而周施",是儒释道三教既对立又日渐融合的大势所趋背景下的产物。
Almost everybody in academia thinks that Peony Pavilion reflects the idea of feeling ultimately wins the justice.However,we could find that factors of feeling,sense and ascendency are harmonized with each other.This is a product of the antinomy as well as gradual harmony of Confucianism,Buddhism,and Taoism.
出处
《艺术百家》
CSSCI
北大核心
2011年第5期126-130,共5页
Hundred Schools In Arts