摘要
比较视域下的艺术类型学,在比较艺术学的操作中,将不同国别或民族艺术置于同一类型的逻辑面进行比较研究,使比较研究更有效地在可比性的原则中进行。因此,比较视域下的艺术类型学,首先强调的是类型的通约性原则与艺术门类关系,而不在于探讨艺术学类型的复杂体系结构。当然,不排除对艺术类型学发生、演变等的探讨,其任务依然是探讨类型中通约性的逻辑层面,使比较艺术学更加有可操作性和实践性。因而,在某种程度上讲,其也是艺术类型的比较研究。
In the practice of comparative art studies,the comparative art typology examines arts of different nations or nationalities in the same kind of logical respect and therefore conducts the research according to the principle of comparability in a more effective way.It does not analyze the complicated architecture of art types;instead,it emphasizes the commensurability of art types and the relationship between them.In addition to the discussion of the subject development,art typology probes into the logic level of commensurability of different types so that comparative art studies can obtain more practicability and operability.To some extent,it is a comparative study on art types.
出处
《文化艺术研究》
2011年第2期132-139,共8页
Studies in Culture and Art
基金
2009年度国家社会科学基金艺术学项目<比较艺术学体系研究>阶段成果
项目号为:09BA011
关键词
类型学
比较视域
结构
typology
comparative perspective
structure