摘要
文学创作中使用不同人称叙述故事,以有限视角观察事物,既可增强事件的真实感,引导读者进入故事,又能使读者跳出故事反思叙述者本身,产生间离的美学效果。笔者试图从叙事角度入手,从叙述声音与人物视角的完美结合、视角转换和有限视角三个方面,分析视角理论在《废都》中的应用及其所产生的艺术效果。
Different person narrative perspective in literature can enhance the realism degree of the event and result in the alienation of the aesthetic effect by guiding the reader into the story and out of the story to reflect on the narrator. From the narrative point of view, this paper analyzes the application of perspective theory and its artistic features in Feidu from the perfect combination of narrative voice and characters, perspective transformation, and limited perspective.
出处
《楚雄师范学院学报》
2011年第8期6-10,共5页
Journal of Chuxiong Normal University
关键词
叙述视角
视角转换
有限视角
the narrative point of view
perspective transformation
limited perspective