摘要
南宋灭亡后,沦为遗民的一批文人画家眷恋故国,不仕新元,借其水墨画作隐约委婉地表达亡国的哀痛、故国的缅怀、遗民的悲哀。文章结合宋元之交的时代背景,将南宋遗民的水墨画置于文人写意水墨画的发展流变历程中,对其在中国古代绘画史上之定位做了初步探索。
After the perdition of the Southern Song Dynasty,a group of literati painters became adherents of a former dynasty who was sentimentally attached to native country and didn't willing to become an official of the new Yuan Dynasty,by the expression of ink paintings for the subjugation vague pains,native country nostalgia,adherents of the tragedy feeling euphemistically.In combination with the background between the Song and Yuan Dynasty,in this paper,the ink paintings of the adherents of the Southern Song Dynasty will be placed on the Evolution of Literati Painting development history,and a tentative study is also made on the status of it in the history of ancient Chinese paintings.
出处
《郑州航空工业管理学院学报(社会科学版)》
2011年第5期20-23,共4页
Journal of Zhengzhou University of Aeronautics(Social Science Edition)
关键词
南宋
遗民
水墨画
Southern Song Dynasty
adherents
ink paintings