摘要
胡旋舞是唐代西域三大乐舞中的重要舞蹈,在唐代文学、历史文献和考古资料中都有充分反映。文章从文学和考古双重视野中考察了胡旋舞入华源流、唐代流行盛况以及胡旋舞的舞容等问题,认为胡旋舞传达着一种迥异于中原传统审美观念的美学追求。
Ethnic swirling dance is one of three leading dances in the Western Regions during the Tang Dynasty,which is fully mirrored in the Tang-Dynasty poetry,historical document and archeological data.The essay probes into the origin of such a dance introduced to the central plains,popularity in the Tang Dynasty and grace of the dance in the two perspectives,holding that the dance conveys a sort of aesthetic pursuit different from traditional aesthetic view in the central plains.
出处
《新疆师范大学学报(哲学社会科学版)》
CSSCI
2011年第4期97-103,共7页
Journal of Xinjiang Normal University(Philosophy and Social Sciences)
基金
2009年国家社科基金项目"唐诗与西域文化的交互传播研究"(09BZW025)阶段性成果
关键词
文学
考古
胡旋舞
Literature
Archeology
Ethnic Swirling Dance