摘要
从女性主义角度考察左翼电影《神女》中的性别政治，可以发现其中的女性如同在经典的男性文本中一样，仍然被想象成性感、充满诱惑的，或者是温顺、贤惠的，而其命运则表现为被动毁灭和救赎的二元模式。在左翼话语的宏大叙事中，女性仍然是失语者，和数千年来一样，她们被表现为没有历史也没有未来。
Observing the gender politics of the left-wing film Goddess from the perspective of feminist, we may find out that, like classic male text, women were still thought of as sexy, seductive, or meek, virtuous, and their fate is the dual mode of passive destruction and salvation. In the grand narrative left-wing discourse, as before, women are still aphasia and they have been manifested as there is no history and no future.
